The prefix ‘Re’ resonates again, anew, or otherwise. A repetition, a reversal, a reopening. In times of conflict, lens-based practices reveal the paradox of the image: it bears witness, while erasing documents and troubling the narrative. Across the works assembled here, we encounter the archive and the dream, the chant and the scar, the witness and the whisper. From rivers to protests, from disappeared citizens to smuggled screenshots, these stories are more than mere testimonies. They are aftershocks, lullabies, rituals, and prayers. They remind us that to remember is to resist erasure, to tell is to preserve dignity, and to bear witness is to carry forward hope. In a world of impasse, ‘Re’ dares to begin again.