
What was Chobi Mela and What Happens Next
Eighteen years is a long time, measured by tectonic changes in what is expected, accepted, or challenged in photography. Steve McCurry’s “Afghan girl” (1984) might still be taken today, but the audience would immediately raise questions of exotification and instrumentalisation. The subject of the western gaze is no longer “willing,” and is shooting back, with camera and pedagogy. Chobi Mela (CM) played a role in all this, creating a robust Global South photography context over two decades. One of Asia’s early photography bienniales, it had a regional ripple effect, inspiring affinity groups in China, Nepal, India, and elsewhere.






